As the two thrash along in the embankment – Sailor, with his karate-kick dancing style, seems like a terror in nightclubs – Lynch’s camera cranes upwards to a magic-hour sunset across the field. “Sailor Ripley, you get me some music on that radio this instant!” she screams, and he obliges, scanning past more talk-radio mayhem before landing, improbably, on a track by the Minneapolis speed metal band Powermad. More tracks like Split Picks: David Lynch's 'Wild At Heart' Vs.Lula pulls the car over in disgust.Playlists containing Split Picks: David Lynch's 'Wild At Heart' Vs.Users who reposted Split Picks: David Lynch's 'Wild At Heart' Vs.Users who like Split Picks: David Lynch's 'Wild At Heart' Vs.Together they parse through Lynchian dream logic, Gifford’s childhood in Chicago, and where Gifford's influence shows throughout later Lynch masterworks like Mulholland Drive (2001).įind out more about Roy's world at Genre Entertainment They’re joined by special guest Rob Christopher, whose film Roy’s World: Barry Gifford’s Chicago (2020) is screening at Portland, Oregon's Hollywood Theatre on Saturday, July 9. his Cinesthesia co-host Jason Michelitch. What links these films together is author Barry Gifford, who wrote the source novel for Wild at Heart and co-wrote the Lost Highway screenplay with Lynch.Ĭinesthesia's Jim Hickcox steps in to host the show and brings along. Split Picks is back with two of David Lynch's most diametrically opposed films:Wild At Heart (1990) and Lost Highway (1997).
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